This painting gesture with flows ofcolours, which neithernarrates what we call real nor describes impressions, seems to transliterate without interpretation the secret signals of the Aegean Sea.
It seems to confess the feeling of the light, between the blue of the sea and the blue of the sky, summer time with bright light.
It also talks about the blowing wind that carries sounds of music and words (talking), which as they travel they become a murmur.
In that way it is recorded with flying colours the supervision of the moment (l ‘intuition de l’ instant), reflecting the spirit of the place, its aura, its diffusible identity and whatever appears or emerges as its characteristic element, encrypting the code of the Aegean.
Thalea Stefanidou
Art Historian- curator